SOLO School of Velocity for piano (14:00), in 3 movements, 1992, commissioned by Donald Berman, recorded by him on CRI CD 812, School of Velocity (1999). mvt. 1 :41 mvt. 2 1:21 mvt. 3 1:06 Lumen I, Lumen II for flute (8:00), in 2 movements, 2001.

CHAMBER Learning to Swim for clarinet and piano (6:00), 1989. Tranced for violin and piano (6:00), 1990, commissioned by the Massachusetts Music Teachers Association and the Music Teachers National Association. Echoi for violin and piano (14:00), in 3 movements, 1999. mvt. 1 1:17 Sppooo for celesta and vibraphone (12:00), in 5 movements, 2001. mvt. 1 :47 mvt. 2 1:06 mvt. 3 :28 mvt. 4 1:13 mvt. 5 :45 Tesserae for viola and piano (8:00), 2002, commissioned by Jonathan Bagg. :44 Uncle Inferno for piano, 6 hands (7:00), in 3 movements, 1987, commissioned by the Longy School of Music, received 1990 Composers Guild First Prize (music for children), recorded by pianists Donald Berman, Sandra Hebert, and Marti Epstein on CRI CD 812. mvt. 1 :58 mvt. 2 :43 mvt. 3 :37 Clarion/Shadowing for clarinet, violin, and piano (12:00), in 2 movements, 1992, received 1994 International Clarinet Association Competition honorable mention, recorded by Ian Greitzer, clarinet; Cyrus Stevens, violin; and Donald Berman, piano, on CRI CD 812. 1:28 Tema for string quartet (12:00), 1987, commissioned by the Boston Composers String Quartet, received 1990 Composers Guild First Prize and 1988 Malloy Miller Composition Prize (Boston University). Cloches for piano, violin, viola, and cello (9:00), 1995, commissioned by the Boston Conservatory Chamber Ensemble. Quaterna for saxophone quartet, in 3 movements (17:00), 1998, commissioned by the Rascher Saxophone Quartet. Roulade for flute, harp, and string trio (8:00), 1991, received 1992 Lee Ettelson Composer's Award from Composers, Inc., recorded by Christine Fish, flute; Susan Robinson, harp; Clayton Hoener, violin; Scott Woolweaver, viola; and Andrew Mark, cello, on CRI CD 812. short excerpt 1:14 longer excerpt 2:12 Cortege for brass quintet (15:00), in 3 movements, 1994, commissioned by the Brass Consortium and funded by the National Endowment for the Arts. Still Raining, Still Dreaming for 6 players: flute/piccolo, clarinet/bass clarinet, piano, percussion, violin, and cello (7:00); 1996; commissioned by Boston Musica Viva and the Barlow Endowment for Music Composition. Twenty Ways Upon the Bells for 7 players: flute/piccolo, clarinet/bass clarinet, piano/celesta, percussion, violin, viola, and cello (9:00); 1994; commissioned by the Dinosaur Annex Music Ensemble and funded by the National Endowment for the Arts; received 1997 Heckscher Foundation Composition Prize; recorded by Dinosaur Annex Music Ensemble, Scott Wheeler, conductor, on CRI CD 812. short excerpt :57 longer excerpt 1:36 Cloches II for 8 players: flute/piccolo, clarinet/bass clarinet, piano, percussion, violin, viola, cello, and contrabass (9:00); 1997; commissioned by Musica d'Oggi; recorded by Dinosaur Annex Music Ensemble, Scott Wheeler, conductor, on CRI CD 812. excerpt 1 1:33 excerpt 2 :50

VOCAL Drinking Songs for soprano, 2 harps, and 2 pianos, in 6 movements (in progress). The Applicant (Sylvia Plath) for narrator and string quartet (8:00), 1986.

ORCHESTRA Catena for piano and chamber orchestra: 1120, 2110, celesta, piano, 2 percussion, and strings (15:00); in 3 movements; 2000; commissioned by the New Juilliard Ensemble. excerpt 1 1:31 excerpt 2 1:41 Furies for chamber orchestra (in progress), funded by the Guggenheim Foundation. Parallel Universe for string orchestra (12:00), 2004; funded by the Guggenheim Foundation. Time's Arrow for orchestra: 2222, 2210, harp, piano, 2 percussion, and strings (15:00); in 2 movements; 1995.

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